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天龙影院

丹麦小村教堂
其它其它1947
  The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

天龙影院

满堂爹娘
大陆国语2009
  高满堂继《闯关东》、《北风哪个吹》后,以精准的触觉,直面老年人的生存状态,讲述了一对夫妻赡养了7对老人的感人故事,有真情,有辛酸,也有轻松幽默。  据了解,故事原型来源于哈尔滨一位市民,他赡养了十多位爹娘的故事。故事围绕热心肠、幽默又饶舌的养殖场工人曹端午展开,因为生父生母离异后,分别再婚又再婚,所以无形中,曹端午有了14个爹娘。曹端午为几个爹娘和他们儿女的事儿操碎了心、跑断了腿。期间妻子宋丹红还因此向他提出离婚......  据介绍,在剧中扮演曹端午媳妇宋丹红的是吉林籍演员阎学晶。在剧中,姜武演的曹端午是一名养殖海带的工人,宋丹红是一个医院护士。而14个爹娘的扮演者几乎个个都是名角,张少华、韩影、马精武、马恩然、魏宗万等一批老艺术家的名字赫然出现在名单中。  拥有热心肠,幽默又饶舌的养殖场工人曹端午,因为生父生母离异后,又分别再婚,因此形成了有四个爹妈的现状。妻子宋丹红是私立医院的护士,说话嘴上不饶人,却有口无心。儿子洋洋正读小学,有乃父之风,颇具幽默感。宋丹红刀子嘴豆腐心,挤兑曹端午挣钱不多,本事不大,却成天为几个爹妈的事忙来忙去,甚至还要帮他们的儿女的忙。涨工资,搞演出,找工作,寻奇石,拉赞助,治心病……

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