深夜赶路的女学生田晓娇惊愕地发现一个外表丑陋，令人恐怖的“白色幽灵”在坟地中诡异地向她招手。恐惧万分的她连滚带爬夺命而逃，最终慌不择路被“白色幽灵”围猎在荒野草丛中，发出绝望的哀嚎！ 三年后尹大宝欢天喜地的把田晓娇娶进门。婚后第二天深夜，尹大宝被一声凄惨的叫声惊醒，当年纠缠田晓娇的“白色幽灵”找上门来了！ 去了医院，才了解到田晓娇患有精神分裂症已多年，她为了和大宝结婚而隐瞒了病情。 大宝起初愤怒怨……

因为烂尾、断更下了地狱，一代三流写手，竟然被打入了自己小说里面，重生为反派赘婿李雨果，和原小说的正牌男主角斗智斗勇，结缘众多红尘知己……

Japanese Ryokan Hostess Conquered By Korean Guests

　　本片是一部以大学生宫田阳彩（南沙良 饰）为主角的“青春逃亡故事”。阳彩一边上学，一边从早到晚忙于打工和家务。虽然母亲并未对她施加暴力，但她一直被母亲口中的“爱”束缚着，在这种温柔却令人窒息的绝望和对人生的失落感中度日。她定期给母亲送钱，照顾她，却始终感受不到真正的自由和幸福。某天，阳彩在打工的地方邂逅了同班同学江永雅（马场富美加 饰）。这次相遇，悄然改变了阳彩的人生轨迹。

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. 

　　1930年代，上海。神偷包德（淳于珊珊 饰）大名鼎鼎，疾恶如仇，他收养了一批无家可归的孤儿。一日，包德用窃来的伪钞到赌场赚取大把美钞，朱督察（安瑞云 饰）发觉后命巡捕辑拿包德。法庭上，大律师夏炳运（周里京 饰）为包德作无罪辩护，包德得以当庭释放。后夏炳运出任赈灾委员会主席，妄图独吞赈灾款200万元，并栽赃包德，不明就里的法庭判处包德50年徒刑。夏的同伙李三（计春华 饰）趁机骗走包所收养的孤儿，训练他们做小偷。包德幸而被夏的女儿嘉惠（剧雪 饰）相帮逃出牢笼，他救出被骗的孤儿，同时也获取了夏炳运的罪证。夏炳运夫妇荒乱中将赃物扔进了粥锅，包德见状，心生一计......

A surprise reunion in southern France reignites passions and jealousies between two women who were formerly polyamorous lovers.

Min-joong and Ga-hee are a campus couple and friends with Geun-tae. Geun-tae has a crush on Ga-hee and asks her out to dinner to tell her how he feels about her.　　Ga-hee knows how he feels but she tells him she is in love with Min-joong and doesn't acknowledge his feelings for her. Geun-tae isn't happy with how Min-joong treats Ga-hee and feels bad for her. So Geun-tae comes up 

　　传说有一神秘典当行隐匿于市井之中，非常人所能见，唯独欲壑难填之人才可入内，以情当愿，可使典当者梦想成真逆风翻盘，但若赎当或毁当则需偿还不同程度的利息和代价，稍有不慎或会危及性命。半山腰的工地上，路小凡的两生花异变出现血丝，曾为心爱之人做过典当的青年心绪大乱，恐爱人再次陷入危局。他的爱人吴恙跟母亲守着糖水铺面对债台累累已无力应对，机缘之下唤来典当行，典当之路从此一发不可收拾，却不知道前路充满着未知的危机和变数……

　　目覚める男。体が思うように動かないようだ。そこに近付く男。　　動かない体で、何とか逃げようとする男。ゆっくりと追い詰めていく何者か。　　やがて男の体に、凶器が振り下ろされ―――。　　細かい仕事で何とか食い繋ぐ日々が続く自身の現状に、行き詰まりを感じていたフリーの映像ディレクター堺洋一。　　自宅兼事務所のマンションに帰ると、荷物と手紙が届いていた。　　手紙には“私の活動を記録してくれませんか？一度ご連絡下さい。きっと、興味を持って頂けると思います”の文字。　　そして、仕事に溢れた堺は、軽い気持ちで荷物を開け、愕然とする―――。　　中には、人間の指が一本入っていた。　　「……！」言葉を失う。警察に電話しようとするが、直前でその手を止め、考え込む。　　「これは、人生を変えるきっかけになるのでは……」そんな予感で、書かれていた連絡先にコンタクトを取る事にした。　　そして、指定された郊外に佇む家を訪れる。　　中に入ると、堺洋一を迎えたのは、一人の男、光見京だった。　　光見京と出会った事で、殺人の記録を撮り続ける事になった堺洋一に何が待ち受けるのか…。