汉语桥2016搜索结果

天龙影院

倾物语
日本日语2013
在暑假最后一天,为挽救暑假作业,阿良良木历和忍野忍借助积聚在北白蛇神社的怪异之力试图回到一天前,但是却阴差阳错地回到了11年前的母亲节前日。历所幸在母亲节那天挽救了本应死去的八九寺真宵,并把迷路的真宵带到了母亲的家。然而,当历和小忍回到原本的时间点却发现——此时全世界的人类都成为了僵尸。事实上,无论是历和小忍回溯到的11年前,还是从11年前返回的世界,都是平行于原本世界的异世界。在这个异世界中,由于八九寺真宵没有死,也就没有幽灵真宵发现从「叡考塾」废墟出走的小忍的事(6月14日),小忍也就没有找到历,更没有机会躲进历的影子里,最后历被黑羽川杀死。历死后的小忍取回了全盛时的力量,恢复为姬丝秀忒·雅赛劳拉莉昂·刃下心。姬丝秀忒想要把全世界的人都变成她的眷属吸血鬼,然后毁灭世界。但是400年才造出两个眷属的姬丝秀忒没能成功制造出大量眷属,而是制造出处于完全暴走状态的僵尸。姬丝秀忒仅用了五天就毁灭的世界(实际上仍有少部分人幸存)。只要杀死姬丝秀忒僵尸化的人类就可以变回人类,为此影缝余弦和贝木泥舟还联手攻击姬丝秀忒,但遭全灭。看到人类灭亡之后的姬丝秀忒,选择纵身到太阳底下,但却自杀失败。当姬丝秀忒看到异世界的自己和历如此亲近时,喜极而泣,最后牺牲自己助小忍和历回到原本的世界——小忍通过吸取姬丝秀忒的血液获取了穿越时空的灵力。

天龙影院

沉寂之桥
美国英语1989
  Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.  Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.  The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.  Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.

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