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小熊历险记
美国英语1963
  【小熊历险记】(YellowstoneCubs)是迪斯尼1963年推出的一部TV电影,早年迪斯尼曾经拍过一系列以真实动物为主角的纪录片『真实世界历险记』,后来迪斯尼又于1957年时推出了一部有剧情的野外纪实片【小松鼠】(Perri),但这些当时都是在戏院首度推出的电影。到了迪斯尼开始用心经营电视频道,跟美国ABC频道买下时段制播专门的TV电影(『迪斯尼奇妙世界』系列作品),【小熊历险记】也是其中之一,但这片却是跟【小松鼠】同样的野外纪实动物剧情片。  像【小熊历险记】这样的野外纪实剧情片拍摄起来是十分困难的,不但必须像拍摄纪录片般从旁捕捉镜头,还要加上想像力叙述成一个吸引人的故事。【小熊历险记】故事就是关于黄石公园里的两只小黑熊Tuffy和Tubby,他们意外跟熊妈妈走散了,于是整个夏季就在黄石公园里四处冒险,希望能和妈妈重逢,另一方面,熊妈妈也在找寻她的两位小宝贝,跟随他们留下的足迹寻觅而来。  【小熊历险记】全片都是在美国黄石公园中实地拍摄,由Charles L. Draper担任执导,剧本则是由Ralph Wright所完成,全片是由Rex Allen负责旁白叙述故事,配乐则是由曾经配乐过许多部早年迪斯尼电影的Paul J. Smith所负责。本片并没有在美国的一般市面上发行影音产品,而是只有推出给迪斯尼电影俱乐部的会员独家订购而已。  【小熊历险记】在台湾没有发行过任何影音产品,也还未曾在台湾的迪士尼频道上播出过。

天龙影院

极度恐慌1983
西班牙其它1983
  PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.  We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.  PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, 

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